Jouno is a native macOS MIDI preset management, editing, and backup tool tailored for Roland Juno-106 and MKS7 synthesizers. Designed for professional audio workstation workflows, the software facilitates bi-directional communication with the hardware synthesizers via MIDI interfaces, eliminating the cumbersome management of hardware preset numbers. It aids users in systemizing their sound libraries, remotely adjusting parameters, and performing batch safe backups and convenient sound color adjustments, making it a lightweight and high-performance companion management tool for hardware synthesizers.
Key Features:
### 1. Full Lifecycle Management of Synthesizer Presets
– Supports the entire lifecycle of Roland Juno-106/MKS7 synthesizer presets, including creation, editing, sending (calling/recalling), copying, renaming, and deletion, all through MIDI interfaces.
– Presets can be stored in the Mac local hard drive in .jep document or .syx (Sysex system exclusive information) file formats, allowing users to freely name and categorize them into multiple directories, suitable for sound color backup and sharing scenarios.
– The software includes a comprehensive preset library management system, enabling sorting by name and quick search by name, allowing users to quickly locate target sounds within a vast sound library.
– The software can automatically synchronize and update content in real-time, ensuring consistency between local files and the software’s managed sound data.
### 2. Batch Preset Recording and Backup
– Supports single preset recording and batch recording of multiple presets in a single operation, perfectly suited for batch backup scenarios of the entire sound library of a synthesizer.
– Users can selectively record presets based on the synthesizer’s preset numbers, and the selected presets will automatically synchronize to the software’s list, making it convenient for subsequent playback, renaming, and saving operations.
– Recording behavior supports customizable preferences: by default, pressing the recording button creates a blank document, or it can be set to overwrite the current editing document, accommodating different user preferences.
### 3. Real-Time Parameter Editing and Hardware Synchronization
– Supports real-time visual tuning of core parameters such as oscillators, filters, envelopes, LFOs, modulations, and effects in the software, with software modifications synchronizing to the hardware synthesizer’s output in real-time.
– The software’s fader can automatically synchronize with the hardware synthesizer’s operations, and real-time edits on the hardware will trigger automatic animations and position tracking in the software, achieving seamless integration between software and hardware parameters.
– A manual mode management feature has been added, allowing for the simultaneous synchronization of all faders to the hardware’s actual positions, or setting to always accept manual mode, effectively resolving the issue of unsynchronized software and hardware parameters.
– The software provides an unlimited level of undo/redo functionality, allowing for real-time playback of editing operations, preventing accidental parameter loss and ensuring the freedom of sound color creation.
### 4. Convenient Sound Color Playback and Keyboard Playback
– Supports using the Mac computer’s keyboard as a MIDI controller, eliminating the need for additional external MIDI keyboards, and directly previewing the currently edited sound colors, significantly enhancing workflow efficiency.
– Standard keyboard mapping rules: A-L keys correspond to white keys, the upper row of keys corresponds to the lower half-tone, and X/Z keys can switch octaves up and down, operating logic aligns with conventional MIDI keyboard usage habits.
### 5. Customizable Interface Appearance and Operations
– Three preset interface skins are available, allowing for the adjustment of slider track transparency, fine-tuning classic color schemes, and adapting to different visual preferences and work environments.
– Mouse tracking sensitivity can be adjusted to achieve more precise parameter adjustments, accommodating different user preferences.
– The software is optimized for high-resolution Retina displays on macOS, ensuring clear and细腻rendering, and continuously improving interface interactions, redesigning the toolbar, and optimizing pusher animation effects, aligning with the native design style of macOS.
### 6. Other Professional Compatibility Features
– MIDI output and channels can be configured directly in the main window, without requiring navigation to secondary menus, simplifying professional operations.
– The software has been fully adapted for macOS Tahoe, addressing style anomalies and MIDI framework stack overflow crashes in the system, ensuring the stability of the new version.
– The software continues to update the MIKMIDI framework to ensure the stability and compatibility of MIDI connections, supporting mainstream MIDI interface devices.
– The software streamlines the new user onboarding process and recording experience, lowering the barrier for new users.
– The software supports family sharing, allowing up to six family members to use the software together.
Version 2.9.1 Update Content:
New Features: Remote Control via MIDI CC
The software now supports binding MIDI controllers, enabling real-time operation editing on the software. Users can control the software’s faders with a physical controller and forward commonly used MIDI CC control commands from digital audio workstations (DAWs). This feature is particularly suitable for automatic control effects during the entire music creation process, such as filter sweep effects.
Two ways to enable this feature:
1. Right-click any fader and select “Associate Controller…”;
2. Open the MIDI menu bar and select “Remote Control Settings…”
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